The Nebraska Connection

So many elements have recently been attached to the case that this investigator is wondering where exactly he should be focussing his energies. Should I concentrate on closed-loop systems or be looking underground? Should I be looking for leads relating to Stairs' activities in Ohio or be trying identify large areas in the Detroit region with the potential for large-scale liquid storage/absorption? Should I be looking south of the border or walking the statelines? there are so many angles to this case that a 3D rendering of it would be one of the most ambitious engineering projects ever undertaken by man; up there with the Georgia Guidestones or a planet-sized particle acceleration donut. Perhaps Searly already knows how the case will end and is building such a 3D case model in his bungalow on the outskirts of Boston?

With regard to your planet-sized nut theory, I do not know how feasible this is, or what the capabilities could be, but it strikes me now that perhaps donut law applies to Black Cat. Remember, this was an experiment with an unidentified central location - perhaps this central point is as invisible and non-physical as the centre of a donut and as such may never be found. Perhaps it is, as one investigator suggested, actually in space, and therefore 'empty' by common standards.

Last night, while listening to Bruce Springsteen's Nebraska LP, I picked up on the following points in the song Highway Patrolman, which I feel echo elements of our case...

The song tells the story of two brothers from Ohio and involves a scene where the patrolman of the title chases a suspect in a Buick through Michigan, deliberately allowing it to escape over the Canadian border as it is being driven by his brother.
Hearing this sequence of events unfold in the song immediately made me think of the case: The chased Buick and activity in Michigan and Ohio having particular resonance, along with an escape over the Canadian borderline.

This brings to my mind the idea that perhaps Searly was 'allowed' to 'disappear' intentionally by at least one individual or some small splinter group within the larger operational group. This would imply different members of the group had/have different agendas. The most likely explanation for this is, as suspected, that both an independent group and the military were working in the same area of operation; either working to the same aim but with a different agenda, or working in a similar field with different aims.

I am leaning toward the idea that either the military started the operation, recruiting help from academia circles who, somewhere along the way, began to use the operation for different ends to the military's intention, or the Michigan craft club started proceedings which the military subsequently became aware of and infiltrated for their own purposes. Of course, the two groups could have had the same idea independently at the same time. Perhaps this is the case and Project31 is related to the Black Cat experiment[s] in this way.

As explained here, the Nebraska LP is actually made from the Boss' own 4-track home recordings rather than been done in a studio. Such an approach ties in with Costa's recroding methods, as heard on the mixtapes so far discovered. The song is set in the '60s but was actually written and released in the early '80s, which would have been an influential period for members of the Michigan soft-core, many of them being in the adolesence at this point. More details of the song's content can be found here. As explained here, the song was used as the basis for the film 'The Indian Runner' released in 1991, again a likely period of influence for Project 31 members.

Springsteen hails from New Jersey, which falls within the bounds of our theorised North-eastern donut of activity and is a likely candidate to have had influence on members of the Michigan group at a critical period prior to the project's beginnings. With Neil Young being from Canada and Dylan from Duluth, it would seem that we are looking in the right area, musically speaking. Even Monk hails from North Carolina, which borders on the South-eastern edge of our theorised donut of activity. I'm sure even this great jazz pianist has held a harmonica to his lips on occasion.

Festival Circuitry

This investigator took the weekend off the case to indulge in some much overdue sunshine of impressive intensity and only now has he picked up the impending development in the case, ie. the immediacy with which BSS are 'touring' from Canada to California.

This strikes me as pertinent for the following reasons - we have already established that festivals and musical touring circuits are ideal ways to move people and goods around the continent in a fairly undetected way. We also know Costa is either in BSS or has close links with them. This suggests to me that Costa may use a BSS tour as a means to achieve her own ends, with or without the band's complicity (she is a known Obfuscationist, remember, and as such would have no problem hiding her true intentions while being close to the band).

The band may even be a front to hide less universally accepted operations, such as the promotion of wool-based lifestyles or products of closed-loop synthesis, with promotional methods possibly adapted from those used by the Minnesota thinktank (I recall Costa being quoted in a marketing journal from years ago, which suggests she either worked in marketing or pretended to work in marketing to gain knowledge of their obfuscatory techniques [i strongly suspect the latter]).

It seems to me that the BSS tour is likely a smokescreen to transport a portion of the Michigan operation (people or products) down to California for some purpose, or perhaps to collect something from the southern state to bring back north. The California connection cannot be ignored - Searly's act of philanthropy at the Reno Steak-n-Cake suggests the California route has been active for sometime, and Melinda Packett is registered to a Bay Area address.

The California connection could well be a base or stop-off point for managing the South American connections - this investigator for one is definitely aware that products made from llama wool are readily available in the fields designated for corporate-sponsored rock festivals, though how popular such things prove to be in the california heat, this northerly located investigator cannot confirm.

Old Laughing Lady

Our Boston man’s dispatches fit perfectly – road trips either cease or go more underground in 2005. The theory of Costa’s low key festival circuitry is 99.7% likely, I feel. Slipping back into the fog when the band ‘make it’. Chinchilla fabric – a ‘hold-all’ term capable of containing the natural and the synthetic without revealing whether one or the other or else ‘wool mix’ combination.

The speed adjuster controls of a good mixer double turntable set up are indeed a potential means of achieving a variety of beat frequencies from waveform interference.
In the city squat this investigator abandoned overnight recently, such a two turntable set-up was included among the original paraphernalia present. The investigator recalls the fullsome sound of such interference some years previous. I have recently been researching non-electric wind-up turntables (originally called grammaphones, due to their frequent presence in the upper year social rooms of grammar schools, where 15 year olds would listen to swing, ragtime and early jazz). Standard grammaphones would have an analogue variable speed control. Later machines would have an analogue 3 way control between 78, 45 and 33. What I could do with is something capable of going lower – say 22. That way I could do the ’45 played at 33 speed’ trick on 33s, and listen to a whole album at ‘mong-out’ speed. I know of no modern manufacturer of wind-up, non-electric grammaphones. There may be one.

Approx 40 min ago, this investigator was on a bumpy old-tarmac / dirt track road, a regular tourist walker route towards the base camp of a large mound of highland mountain, when rounding a puddled corner there was an elderly lady, of short height, blocking said road, arms waving in air. I came to an easy halt among the puddles. She held a walking stick – Walking stick in one hand, wrinkled healthy-looking complexion, vibrant face, wavy white hair, with a look of eccentricity and foreignness to her. I walk over to her, sidestepping between puddles on this barmy hot day. In what I think is the broken English of an northern/eastern European accent, she asks for a lift, in upfront, confident terms. I reverse to give her a puddle free access route to passenger side of the vehicle, though she heads towards driver’s side at first – a giveaway of one used to left-hand drive cars. I run her towards a village restaurant – she has been up in the foothills, and is parched and hungry – overheating. I half understand her side of the sparse but friendly conversation. Just before reaching destination, she reveals that she is a tourist from Oregon.

But where are you from originally, I ask. I expect her to be German, for example. She says she is originally from Canada – that is the accent, she explains. West Coast? I ask. Yes, the west.The strange appearance in the road of this elk convinces me I have something to learn from the encounter relevant to the case. A Canadian, with an accent I could have sworn was European, who lives now in Oregon. I suspect that she is the Old Laughing Lady, who can be seen in many mythic sources including the cover of Neil Young’s After the Goldrush album. This album is about the exodus of the hip culture from the US west, or the passing of that culture into hiding.

On the cover image, the red Indian laughing lady is moving in the opposite direction to Neil, however the overlapping alignment between them on the ‘great shot’ makes it appear that she is actually riding in Neil’s backpack (and so actually going in the same direction as Neil, but facing backwards – like a rear gunner). With every movement I feel an opposite flow probably occurs, as per Newton’s third law. So, if this Canadian woman went from Canada to the US, she is the reverse of the movin’ up country hippies who went to Vancouver to avoid nam. Just like Neil, in fact, who travelled from his roots in Canada to the US west.

Walk The Line

Funambulist? Obfuscationist? I don’t see much difference. Your outside-the-box theory of Boston Mass being a gravitational concept is too good not to be true. It may be other things too, but I certainly thing it is an attractive, and possibly also repulsive, force associated with Boston – a focal point already in our investigations. I will examine my flow map of the states later and ponder the significant centre of activity in the Boston area in light of this new insight. My quark work back at MIT in the seventies may be of use here. I might contact some of the old faces in the kipper tie brigade. Time for more coffee machine coffee, I feel.

One further idea I forgot to pass on earlier. I have the theory that a road trip route may have followed as closely as possible the boundaries of states. By travelling along boundaries, one remains ‘nowhere’, constantly able to evade all state troopers and state laws. This would appeal to a group wishing to remain hidden, and fits with the needlework notion of sewing along hems and borders. Perhaps even a static community may have been established on state borders. Don’t just cross the stateline to evade pursuit – stay on the stateline to evade pursuit from all sides… Walk the line like Johnny Cash.

Mister state trooper please don’t stop me… I recall that the crypto-geographers who I spoke to about the nazca lines were researching linear settlement patterns. This would be a prime example… a linear network settlement in no location.

...And The Tailoring Done

Examinations of the dreamworld are always of value, even if not of intended value. Insights abound in the dark as well as under the anglepoise. Another way of considering the significance of your dreams signs, as well as the discovery of lost mixtapes, is to look at the definites within the dream, such as the Joni songtitle 'Urge For Going'. I suspect this to be of at least as great a significance as the dreaming of lost recordings themselves. An 'urge for going' could represent the cargo corps practice of crossing borders and making inter-campus recruitment drives, it could represent your thoughts on the principles behind the disappearances (an urge for going off the radar/disappearing), or it could be a manifestation of your desire to spread your wings.

Further examination of musical evidence, specifically listening to 'the needle and the tailoring done' I can conclude that this is not the same recording which is present on All American Smile, but there are definite similarities; for one, the song itself having a common basis - both being adapted from Canadian folk-rock artist Neil Young; the similar lo-fi recording style (I don't believe they were recorded at the same time or place, but both utilized near-identical recording equipment), suggesting a similar approach by both artists, which further suggests the one was aware of the other.

A time-based analysis indicates that the recording on the tape found in Happy's posession, being recorded some 15+ years ago (placing the recording date at 1994 at the latest) is the earlier of the two, with the version supplied by one of our associates prior to the case most likely being recorded in the last 8 years or so.

I would be interested to know how the second recording came into your posession before drawing any further conclusions. Of course, as discussed earlier, it is entirely possible for two individuals to both have the same thought independently of one another, non-locally, at the same time. Two people having and acting on the same idea at different times is therefore plausible and cannot be ruled out.