Sound theories

All sound theories, no doubt. Wight was happening way before '70, but apparently on a small scale. The first one was actually justa folk group playing to their neighbours from their back garden. It only made it onto the Map of Happenings once the 'Big Zee' (Dylan) appeared there ('69 - apparently he chose the UK festival as he was living in the woodstock area at the time and 'couldn't be doing with all those hippies hanging around trying to catch a glimpse of me through the curtain crack as i try on various hats and practice my cane twirling'). After that, it grew to become the UK music mecca, hence most people only being aware of it from '70 onwards, the year Hendrix and the Doors flew in from over the pole on a big airliner.

Epstein once told me how the combination of the right resonant frequency and decibel level can cause massive amplitude soundwaves to eminate from small landmasses - they lierally vibrate like a speaker. He suggests it is possible that The Isle of Wight itself was the amplification device utlizied for the transatlantic transmission, hence it's choice as an operational location.

As for Westcoast based soundsources, who knows? perhaps the donut ring soundwave theory (DRST) is correct, perhaps it was an attempt to impede the advancement of oriental/asian superpowers via means of sonic supression or rhythmic/harmonic mind control.

Monterey is definitely worth investigation. Previous research of other angles of the case seem to dovetail back to the '50s, so I am guessing the origins of all phenomena relevant to the case date back to this time at the very earliest. Anything new borne of the late '50s-early '60s is a worthy candidate of suspicion.

Wormold