Tuesday 19 May 2009

All American Smile

I've just driven round an early evening Boston, having listened to the mixtape twice as the sun came down. Great sunset - from an intense orange to an intense purple, it was like a colourshifted aurora borealis. Anyway, I digress; first the tracklisting, then the theories...

"All American Smile"

Side 1
1. Start at the seam
2. Ode to a lost cardigan
3. Cablestitch
4. Poet's Shirt
5. Waving, Not Drowning
6. Soak That Rag
7. Rode Trips
8. Loose as a Moose (Woddy Allen skit)
9. Melissa and me
10. Knit it, don't quit it!
11. Double Back
12. Cottonpickin' blues


Side 2
1. Tape-stry
2. Breakfast Song
3. Scarf-Ace
4. A friend in tweed is a friend indeed
5. Soft on the outside, hard on the inside
6. The needles and the damage done (with added 3rd verse)
7. Come in no. 31, your time is up.
8. Why I Ran
9. Luminous Fibres (extended)


Now the theory: All the songs on the tape are home recording, very much in the vein of the previous tape we acquired knowledge of. Most of the songs feature vocalised lyrics, mainly female voice, but occasionally male (particularly backing vox) which seem to be giving some kind of instructions.

At first listen they seem to be based around knitting patterns, but the instructions don't seem to relate purely to knitting as I know it, rather, they seem to allude to something grander, of which knitting is only a part of. It's hard to tell - the home-quality recording makes for a muffled listen, something only compounded by the age and condition of the tape.

Side 2 has untitled interludes between most tracks, which seem to be spoken word poems with unrelated lines in alternate French and English; for example:

vous vous asseyez à la table
i am not going to worry...about a thing.
il y a un restaurant minuscule
but so worth it.


It sounds to me as if a French/Canadian man is saying the English parts and an English/American girl is saying the French parts. My knowledge of French is limited, so it is hard for me to draw conclusions until I have had an interpreter review the tape. My theory of the tape(s) is thus: These mixtapes appear as innocent compilations made for a niche group of people of limited import or interest; but it is my belief that their intended purpose was to provide disguised instructions only decipherable by a select group of people who were familiar with the key to break the code.

This would provide a great way to send sensitive information across the country(ies) without it being detected. Even if discovered in transit, the authorities would most likely assume the tapes to be wholly innocent and of no special interest. Which college kid hasn't spent evenings sat with finger hovering over the pause button of his stereo, curating and creating a private 90-minute megamix of favourites to pass among friends. Nobody, upon finding such an item, would be likely to suspect that it may be of greater importance.

So, I am picturing a core group of people recruiting peopleacross college campuses, nationally, then disseminating instructions to said recruits via a series of mixtapes delivered to campuses at regular intervals. This would explain the box of tapes 'Cate' was inposession of when Zac Happy made his amorous approach. At this time, I have no further thoughts, but realise I have forgotten to mention one thing of note - the innerside of the mixtape's inlay card spine bears the inscription 'compiled by Mr. Crafts'. Surely this is something of great interest to us. Who was Mr. Crafts? Is this a name used for Searly, or is it someone else? Kozyra?

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